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  • After ‘Mentally Murdered’ Lahore gears up for ‘Unorthodox’

    Jan 2 • All Updates, Events, International News • 4961 Views

    Few days back Lahore witnessed the fury of ‘Mentally Murdered’ where bunch of kick-ass acts performed and now the city yet again is ready to witness ‘Unorthodox’ on Saturday, Jan 16th at Opositive Studios , Show starts at 9:00 pm , If you are in the city you must attend this gig , The last gig’s vibes had left people wanting for more and well, it seems everything will be very well addressed on Jan 16th.

    Here is the lineup:

    Irritum – Lahore’s very own doom cult, playing some of the most crushing metal you will hear from this side of the world!

    Terminus Est – Thrash metal from the twin cities of Islamabad/Rawalpindi. Comprising members of Wreckage, Depletion, Venom Vault/11th Hour, Serpent and other old bands from the glory days of that scene. Will be great to see them assault Lahore again!

    Multinational Corporations – Devastating grindcore/hardcore/crust punk. You know what to expect from this metalpunk lashkar!

    Takatak – Incisive and technical, with bharpoor groove! Catch these lads play cuts from their upcoming EP!

    Details:

    Live at Opositive studio’s at Firdous Engineering (308 Ravi Road). Opposite Badshah Mosque, next to UFone and Zong Franchises.

    Call for further details, venue directions, entry, etc.
    0345-4064728 (Hassan Amin)
    0322-5345356 (Sheraz Ahmed)
    0333-4399299 (Haider Zaidi)

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  • Interview with Bangladesh Metal Alliance

    Jan 1 • All Updates, International News, Interviews • 4887 Views

    Interview by Hassan Amin

    ‘We announced the gig officially from our Facebook page on 13th December which is Chuck’s death anniversary..but we started circulating our xeroxed flyers in September, not only in Dhaka but other cities too where metal exists. The pictures of the flyers were uploaded by people as well as they xeroxed more flyers themselves and gave to other people and that is how it spread more. This is something totally new that has happened here, the whole idea of DIY flyers.Done for the first time’

    1. Hey, hope all of you at BMA are doing well! Can you introduce yourself as well as BMA to the readers?

    Nabil: Hey Hassan, thank you for having me on Metalbase. I am Nabil Rahman from Bangladesh Metal Alliance. BMA is known for putting up yearly Metal gigs with quality Metal bands from all over Bangladesh. BMA comprises of three organizers. My other two partners at BMA are Muktadir Anzan(who’s also one of the founders of BMA) and Mujtaba Nurul Hamim. So far we have 4 successful gigs under our belts. Now we are ready with our next gig.
    2. So we found out that Bangladesh Metal Alliance is holding a Death tribute gig, featuring ‘supergroups’ comprised of local musicians.. would you elaborate further on that?

    Nabil: Yes, you’re right. The gig is called “Scream Bloody Death”. A total of 21 amazing musicians from different bands of the scene are taking part in this tribute. The musicians are divided into 4 super groups and 17 songs from all 7 albums of Death will be staged in this gig. I think it is going to be pretty interesting for the audience to see all their favourite musicians playing together and pay homage to one of the most influential Metal bands ever. In fact, I have been in touch with Eric Greif(manager of Death, Perseverance Holdings LTD)since June. He is quite appreciative of the gig.

    The idea of supergroups actually was suggested to us by Showmik Das. He had some plans to do a project like this of his own. Basically we thought of a Death tribute show in last year Spetember. But we did not commence with it as we thought it would not be a proper tribute show if we put it up in the typical “each band covers one or two Death songs” format. When Showmik suggested us this supergroup idea, it seemed very challenging to us. We started planning things farther and talked with the musicians. Things started rolling and here we are now. By the time this interview gets published, I think we will have the details about the tracklist and the musicians on our pages.
    3. The main question in my mind is, why put on a tribute gig to a band, as opposed to having a regular show with local bands?

    Nabil: Firstly, tribute shows are not something new in Bangladesh. We have had Iron Maiden, Metallica, Dio, The Beatles etc tribute shows in the past, in big scales. So why not do something like that in Extreme Metal too? We are aware that there is a big number of new kids pumping into the scene and we feel its the right time to preach some quality music to them. Why chose Death? Because we have thousands of fans of this band in Bangladesh. Death is such a genre defining band of which there can’t be a “best of” album. You just can not choose their one album over another. Each album has its own significance.

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    4. To me it’s a testament to how much the metal scene in Dhaka has grown, over the last few years, that you’re able to pull something like this gig off now. Would you (or the sponsors) agree with that?

    Nabil: It is true that the scene in Dhaka started to take different directions after 2011, perhaps to a more extreme direction. We have a more concentrated Metal scene right now. Bands are focusing more on originals and promoting themselves however they can. Many bands are getting accolades worldwide. I can proudly say that we have a kickass Thrash Metal scene over here with bands like Powersurge, Gene-Split, Mirrorblaze, Sacrilege, Surtur, Dissector, Invictus, Thrash, Enmachined, tribute gig deth bangladeshNuclear Winter, Exalter and so on. There are sick Death Metal bands like Severe Dementia, Homicide, Orator, Warhound, Morbidity and vicious Black Metal entities like Jahiliyyah, Abominable Carnivore, Eternal Armageddon, Nafarmaan, Barzak, Serpent Spells. Its a very packed scene. There are different organizers who have been organizing quality gigs, merchandize companies are putting out great merchandizes of local and foreign bands. With the emergence of more scenes in Bangladesh, bands are touring a lot within the country. Also not to forget, more bands are touring outside Bangladesh now. On the other hand, international bands like Impiety, Defiled, Funerus have toured here. I agree with you to that extent. However, it does not mean that we did not have quality gigs before nor does it mean we did not have great bands before. Its that hardly anybody ever bothered to communicate with other scenes in the neighboring countries back then. The Dhaka scene dates back to the late 80’s and Heavy Metal music in Bengal was initiated by bands like Waves, Rockstrata, Warfaze, Aces back at that time. The growth you have been seeing for the last few years is only the natural succession of the movement that was started back in the 80’s. Its for the lack of proper documentation and promotion that people outside Bangladesh were not aware of this scene untill now. I actually see it as a massive change that our bands now think of going beyond the borders. They have tours, releases from western independent labels and what not.

    5. What are the primary challenges when it comes to hosting a gig in Bangladesh, and what advice would you give to other developing scenes in the region?

    Nabil: Lack of proper venues,time constraints, lack of sponsors are some of the obstacles that every organizer has to go through. Sometimes people seem reluctant to go to gigs if they don’t see their favourite headliners/bands in the bill. This is where people can change their mentality a bit and support the newer bands.

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    My advice would be to form communities where listeners would be properly guided. Listeners are the back bone of any scene. Without them there would be nobody to appreciate the local bands, no turn out in the gigs. Its very important to have audience with good taste and atleast minimal knowledge of the music. So share your music with others, share your thoughts with eachother, read zines/blogs, watch documentaries, buy your local bands’ releases/merch etc. This is how scenes are built.
    6. With the rise of paralel scenes in Sylhet, Khulna, Chittagong, do you feel that the days of Dhaka-dominance are gone?

    Nabil: I am very much appreciative of what the organizers and bands are doing there and I honestly would love to see the Dhaka-dominance coming to an end for all the good reasons. But its going to take some time for that to happen. The scenes in Sylhet, Khulna, Chittagong are still in their early, development stages. The bands outside Dhaka are no less in quality. There are some amazing bands out there. For example, Grimorium Verum, Abaddon, Void from Khulna, Psychotron and Necrolepsy from Sylhet, Power Of Ground and Ionic Bond from Chittagong. There were some Death Metal Bands in Rajshahi too, which are dormant right now. I feel there is space for improvements when it comes to lives, by that I mean the sound management. Its vital for any band. Like I mentioned earlier, it is very important to have a strong listener base. So I reckon that should be worked upon too.

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    7. What’s next for BMA after this show?

    Nabil: Well, we already have planned up a few things for the next show after Scream bloody Death. I think we will announce it soon. Like our past gigs, we will feature some new talents. We want to touch down other Metal hubs of Bangladesh too. BMA is also thinking about launching a website. Lets see how things roll in 2016.

    8. Thanks for your time! Anything you’d like to sign off with?

    Nabil: Thank you for supporting us mate. Yes, I would lke to take this opportunity to thank Saquib Ahmad for being a wonderful friend to us. His support to BMA has been unequaled, since the beginning. Also our heartfelt gratitudes to those lads who helped us circulating our hand-drawn flyers for this show. Too many names to mention. You know who you are haha.

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  • Exclusive: Aswekeepsearching Release B-303 ft Bhayanak Maut’s Sunneith Revankar

    Dec 25 • All Updates, Indian News, Releases • 2490 Views

    When post-rock band Aswekeepsearching performed in Bangalore last month, they brought on stage a special guest – Bhayanak Maut vocalist Sunneith Revankar, to jam on one of their heaviest/metal-est songs “B-303” off the new album Khwaab.

    So impressed was the band with Revankar’s cover of the song that they pushed him into the studio to record a vocal cover. Aswekeepsearching guitarist Uddipan Sarmah says, “The plan was all Sunneith’s, and I only said Hell Yeah! He heard the band and really liked “The Tattva.” That’s when the album, Khwaab was in the making. Over time and with conversations, I asked Sunneith if he would like to feature on a song from the album.”

    A fan of the band, Revankar says he’s always found Aswekeepsearching’s music very emotionally intense. He adds, “I was a little nervous because I am a fan of the band. I had been meaning to watch them live for a while. Then this opportunity presented itself. Needless to say it was quite incredible. I wish we could do this more often. One of these days, I’m going to slip some lots of extra ice in Uddipan’s drink so that I get to sing the whole set.” Revankar said writing vocal melodies to an instrumental song is always difficult, but he explains his process, “It’s usually a visual scape that I start with and then proceed to write words.”

    You can hear the recorded version of “B-303” here but if you want to catch it live, you need to sign up for the band’s next Bangalore gig – at the pay-what-you-want gig series Control Alt Delete on January 16.

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  • Eccentric Pendulum new single premiere

    Dec 24 • All Updates, Indian News, Releases • 2900 Views

    Hailing from Bangalore, this band, with minimum eccentricities as far as the quality of the music they have put out is concerned, has played at Wacken not once, but twice and has shared stages with the likes of Opeth, Kreator, Meshuggah, Textures, Enslaved, TesseracT, Orphaned Land, Suidakra, Karnivool, Amon Amarth, hey let’s stop here. They released their debut in 2011 and have planned something for 2016, yay!

    “We are concentrating on releasing a single, a website announcing all the new line up changes, new merch etc. We are also concentrating on rounding up our 20 minute concept track “Tellurian concepts” which would be split into 3 parts, 3 songs which would be released as an EP prior to our 2nd full length which would take a year more,” the band said.

    Not a typo; yes, 20 minutes.

    The band won’t reveal the title of their upcoming release but Arun said, “we might run out of songs but never run out of song names.”

    Oh, and here are the line-up changes:

    Kaushal-vocals [from orchid, replacing nikhil from 2014 august]
    Vibhas-drums
    Arjun-guitars
    Arun-bass
    Ankittheorized, this is their first apt replacement after Faheem quit the band 5 years ago.
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    The release will be recorded at their very own studio which is at the drummer’s current residing space. Although Arun will do all the inlays, Alex Eckman Lawn might do the honors of the album art.

    E.P. also confirmed that they might take the label route for their next release(mostly Transcending Obscurity or so we guess). In response to the recent changes in the scene, the band has something blue to say- “In india we have managed to sell something short of 500 copies , 500 still rotting in the cupboard. I[Arun] think the reception and the duration of which an album is on a spin[be popular] was much better 5 years back. It kept the band relevant and in the loop creating a buzz for at-least 6 months, but the scene now has changed a lot, even the biggest of the Indian underground metal bands releasing their album see the buzz about their latest release go down in just a couple of weeks. It is disheartening that this happens.”

    Whether it is disheartening for the bands or fantastic for heavy metal in the country that tons of new bands and killer (and sometimes not so killer) releases come out every other month, you decide.

    Hey and while you ponder, why not check out their new single?

     

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  • Exclusive release: Extreme Nation Documentary trailer

    Dec 22 • Indian News, News, Releases • 3326 Views

    Extreme Nation chronicles one of the darkest, most explicit and mysterious forms of a subculture spawned over years of metal music in the Indian subcontinent – confronting a high-power, historic & exciting ride from the past to the present – that have been hitherto little known or largely unexplored.

    Shot over a timespan of two years and filmed across various cities, towns and beyond borders, this feature length documentary delves deep into the lives of those who are die-hard beacons and irrepressible spirits of the subculture, unfolding an awe-inspiring anthology of the emergence of metal underground in the Indian subcontinent.

    ©Copyright – Royville Productions, 2015.

    With a self funded limited budget and time-location constraints, the entire shoot spanning 2 years, was conducted with careful pre-planning, and a clear DIY mandate – to capture characters in concurrence with real events. The story depicts never-before shot underground shows, places and faces in the Indian subcontinent, a first-hand account through exploratory travel.
    So far the documentary has been shot across 7 states, 9 cities and towns of India, and as well beyond borders in (Lahore)Pakistan, and (Dhaka) Bangladesh through the lenses of 13 pro-cameramen from the fields of documentary, ad-filmmaking and music video backgrounds.The film is undergoing post production and still awaits the much needed funds and grants to secure completion of the project in 2016.
    Extreme Nation is a researched and honest attempt in capturing the true facades of extreme underground metal music in India and the SAARC countries, promising a high-power historic & exciting ride from the past to the present of this genre of music, without following the usual TV/ youtube style music episodes which are sometimes painfully academic, often half-baked & lop-sided,  and blatantly sponsor-led.
    Extreme Nation will be the depiction of true unscathed and uncharted realm of this beautifully obnoxious offshoot of heavy metal music.
    short bio of self:
    An Artist & Repertoire professional and Documentary Filmmaker, Roy has been creating and managing content related to music and films since the last 10 years. After working in advertising and major record labels, Roy wanted to use his experience and knowledge base to make films that would convey various stories that need to be told. He has been an ardent music researcher, close observer, and a metalhead for a very long time.
    NAFiR was his directorial debut and a music documentary effort in 2015 that has been in the official selections at the recently concluded 21st Kolkata International Film Festival, 17th Madurai International FIlm Festival and the 14th Festival Film Dokumenter, Yogyakarta Indonesia. Currently Roy’s working on two other projects that would be revealed later in 2016.
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