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  • Festember’15 is here to win your heart yet again

    Sep 14 • All Updates, Events • 4650 Views

    College and a hectic schedule have always been an excuse for students to have fun. Festember, the cultural festival of NIT Trichy is such a perfect excuse. A 4 days fest filled to the brim with exciting activities and even more enticing rewards, Festember is the highlight of the month of September. Ever since its inception in 1975, Festember has grown exponentially and has all the hallmarks of an enjoyable fest. Music, dance, food, arts, celebrities, literary events, quizzes, workshops and music concerts. What more could one ask for? With the likes of Candice Redding, Benny Dayal, Vishal-Shekhar, Salim-Sulaiman, Shakthishree Gopalan, Agam, Javed Ali, Suraj Jagan, and so many Festember Thememore having performed at Festember, a certain reputation has been associated with the fest. Every year people look forward to better performances, better events and better food. The crowd never disappoints with their enthusiasm and they just add fuel to the flame.

    Carnatic music aficionados have appreciated the soothing music of Punya Srinivas and Karthick Iyer as well as the hard core metal carnatic music of Agam and Avial. From the EDM music of Candice Redding of Sunburn, Goa to the Bollywood tunes of Vishal-Shekhar, Festember is a fest for everyone.

    Workshops and Informals another highlight of Festember introduces to its participants new activities like parkour, glass blowing, pottery, ultimate Frisbee, different dance forms for singles and couples, and much more. Music and dance competitions for everyone along with many literary events and quizzes attract people in droves. The high standards and prizes make it one of the sought after competitions. Apart from this photography and filmmaking contests are also a part of Festember. With copious amounts of merrymaking, all those who attend Festember attest to its dedication towards making sure everyone has a good time.

    Festember is indeed a fest to never be forgotten.

    Redefining boundaries and rediscovering old delights, Festember is back again. Hoping to be bigger and better this year, we present to you www.festember.com.

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  • POTF gig review | St. John’s Medical College

    Sep 9 • All Updates, News, Reviews • 6059 Views

    You know something magical is gonna take place when  11,000+ people gather at a medical college. And it was indeed pure magic. Finland’s very own Poets of the Fall played an absolutely beautiful set as part of the Autumn Muse festival organized by St.John’s Medical College, Bangalore on 29th August 2015. It was a special Charity Gig, the annual fund raiser of St. John’s Medical College for ‪‎Leukemia Patients.

    The opening act was performed by the sensational Girish and The Chronicles. The Sikkim boys performed  7 brillaint tracks. Along with 3 of their own compositions, the band also belted tracks by the mighty Led Zeppelin, Guns ‘N Roses and AC/DC. The bands compositions from their debut album “Back on Earth” met all expectations. The covers got the crowd going with Girish on the vocals and Suraz Sun on the lead guitars doing a perfect job . The mood was set for the big act.

    It was worth the wait as the guys from Helsinki did not disappoint. The crowd was treated to a setlist of about 16 songs. With a perfect balance between songs from the new album “Jealous Gods” and tracks from their previous albums, the band sent the crowd into a daze. The ever charming Maco Saaresto on vocals mesmerized the crowd with his voice and ocasional dance moves. Olli Tukiainen absolutely nailed it on the lead guitars with those captivating riffs and the rare guitar solos. The crowd also witnessed an instrumental song, “Rogue”, from the new album with all intrumentalists being  flawless. It was a perfect end to the night as the band closed with their first ever song “Late Goodbye” and then  finally the fan favourite and much anticipated  “Carnival of Rust”.

    It was a phenomenal live act and a night forever to cherish.

    Check out the album here:  photography by Subhro Boral for Metalbase.in

     

     

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    1. Why did you guys decide to form Meta-Stasis while you were still playing for Sikth and Ted Maul?

    Meta-stasis was formed because we wanted to deliver the heaviest band in the world. A new breed of madness and originality was festering our minds and we had to release the infection one way or the other.

    1. Meta-Stasis was supposed to be a side project as far as I can recall, why did you decide to transform it into a full-time asylum?

    Meta-stasis was transformed into a full-time asylum because of high demand by the fans, which led us to turning the monster into a full-time killing machine. Meta-stasis had a life of its own which could not be controlled which had to be unleashed into the underground scene.

    1. Meta-Stasis is unlike any other extreme death metal band as you guys have a Techno thing going on in your music from the very start. What is the reason behind this weirdly groovy addition?

    The addition of electric sounds stem both from Ted Maul’s want to capture the darkest side of dance music and members Meta Stasismerge it with metal. Solomon Lucifer J Christ and the other patients in the band have always been into these underground cultures and Anon used to be a drum and bass DJ so it seemed like the natural progression for us. The Paradox Of Metanoia is merely dipping our toes into this cross genre idea, we have so much more to explore.

    1. How different is The Paradox of Metanoia from When The Mind Departs The Flesh?

    When The Mind Departs The Flesh is the most sick brutal tech death metal we could write while The Paradox Of Metanoia still tries to hold on to some of these attributes, however the emergence of dance music elements, a slight change in some of the musicians in the band and therefore different ideas in the melting pot led to this highly diverse sound which is now the back bone of our style.

    The first album is the killing spree, the second album is the psycho analysis.

    1. What are the things that influence you (including the bands of course)?

    The metal movements that got us into music were the nu-metal scene, classic rock and thrash metal. We later moved into the heavier side with death metal etc. The bands we all share our love for are Decapitated, Gojira, Meshuggah, Dying Fetus and Devin Townsend/strapping young lad. But this is forever changing, bands like Soreption are really flying the flag for dirty grooves in death metal, if you haven’t heard them – check them out.

    As far as other music Tech Itch, Ed Rush and Optical, Dave Clarke, Aphex twin and The Prodigy. We all love anything heavy and heavy can be subject matter, sounds or song structures. Real music that says something gets our juices pumping.

    Outside of music I guess just what we see around us in the world, relationships, politics, getting into the psyche of a serial killer and reading weird shit on the online. Watching documentaries and interviews of serial killers can really make you think and write just heavy brutal music.

    Meta-stasis’s style purely came from hate eternal, Slipknot, Gojira, FX twins, Morbid Angel, Korn, Strapping young lad. We love those guys.meta-stasis album

    1. How was your experience working with Scott Atkins at Grindstone Studios?

    Recording with Scott Atkins was as brutal as a sack of sea urchins. Scott pushed the band to the next level and searched for all those magical takes in all of us. I must say the vocal performance was the most brutal I had ever delivered in my whole musical career. It was mentally and physically intense, to the point where it got so real that I was throwing chairs across the vocal booth and head butting the walls to recreate mental anxiety anger moments. As a band we learnt an awful lot from this recording and we can’t wait to record the third album in 2016/17.

    1. What kind of lyrical content are we looking at in your latest work of art, The Paradox of Metanoia? Is there any underlying story listeners should be aware of?

    The lyrics are an extension of our personal views on life whether paranoia, the feeling of being sane and ok when in fact things can be quite the opposite. Mental health problems in this highly volatile society driven by greed, religion, and its madness and the fact that we seem to be making more mistakes now as mankind than ever before, all driven by the banks, commercialism, debt and a world that has lost its way and the consequences it has up on us. Few people feel at peace now. The worse it gets the darker our music becomes. We capture the essence of our times.

    1. So, what was the recording process like for the latest album? How do you come up with the riffs, beats and lyrics?

    For us, the writing process has always been influenced by dramatic events in our lives, whether its violent events, severe backstabs or coping through mental illness. These things effect all of us at one point or another and can affect us greatly. These inspire a riff or a dark melody and then it all develops from there. Recording with Scott Atkins did change things. How we played the parts altered here and there and it just gelled better, resulting in better takes, but the music style remained the same. Scott did drop in his ideas and guided our ideas, as any great producer would. He is all for the song as we are. Making parts shorter, neater, and more direct along with making us sound unbelievably huge. We love Captain Scotty!!!!

     

    1. So how’s Steve err… I mean Anon?

     Steve? We will get back to you on that one!

    1. So what nefarious activities are you guys busy with (something which humans refer to as day jobs) when you’re not part of the asylum?

    We work in mental health hospitals, multi challenging severe behaviour support units, fridges, farms and the drainage system.

    1. So what are your touring plans this year?

     At the moment we are getting fantastic offers here and there for tours, but it’s all about the logistics at the moment. We shall be visiting South Asia early next years. As for now we’ve got some shows with Psycroptic and Mammothfest coming up soon. We are also talking to new booking agents off the back of our recent album/press/tour success so things are looking positive.

    1. For people who haven’t watched Meta-Stasis live, what is it like, witnessing a psycho-tech death metal band perform?

    Intense. Emotional. Heavy as hell and a little fucked up. You’ll bang your head.

    1. If the band was a crazy psychotic killer (anyone from fiction or real life) who would it be?

    Ed Gein mixed with Ted Bundy. We’d charm you over to our studio and turn you into furniture. Are you free?

    1. Last but not the least, would you guys like to play in India?

    We would love to spend some time enjoying some Indian culture and then rocking out with you guys. Let’s make it happen.

     

    • Interview with Meta-Stasis | Listen to their new album ‘The Paradox Of Metanoia’ •

  • Strength of Steel Slaughters Calcutta

    Aug 27 • News, Reviews • 7337 Views

    If you manage to spot small flocks of people clad in dark-coloured tees emblazoned with the names of their favourite bands on a typical Saturday in Calcutta, be sure about the fact that there is an unholy congregation somewhere, probably in the southern part of the city. Jogesh Mime Academy, tucked away amidst one of the busiest thoroughfares of the city was where people were flocking to last Saturday to escape from the daily grind for a few hours. KOSMA (Kolkata Old School Metal Association), a fraternity formed purely from one’s love for old-school metal music was back with the fifth edition of a series of underground gigs they have been hosting since 2013; this time it was Strength of Steel.

    Selling a record number of tickets for the gig that took place on 22 August, in a city where laziness triumphs over passion at times, KOSMA launched an all-out attack from the very beginning, artillery ranging from straight edge punk, death-doom to traditional heavy metal. With three outstation bands in the line-up, namely Hellwind, Primitiv and the mighty Albatross, all from Mumbai and city bands Blakhole, Falcun and Armament serving as supporting acts, together they unleashed an indomitable force of destruction that left the audience thunderstruck.

    First up were city-based straight edge punk rock band Blakhole armed with the classic punk sound of the 70s. This band resurfaced after being MIA for quite some time, sounding much better than before. Vocalist Protyush Paul could be spotted from afar sporting an alleged women’s nightgown, thus decimating all kinds of sexist, misogynistic societal norms at that very instant. Playing a short set, this band set the ball rolling, with their on-stage antics making them a fun watch. Their crazy and hard-hitting performance screamed of influences drawn from hardcore bands and sheer madness. Their lineup included Black Sabbath’s classic Paranoid, giving it a punk rock makeover which sounded fresh and energetic. However the dearth of tightness in the delivery at times was visible amidst their raw and aggressive approach nothing that a few jams couldn’t fix.

    Next up was the new kid on the block, traditional heavy metal band that goes by the name Falcun who played their debut gig. Previously it was a side project for the band members of city thrashers, Mortar and Armament known as Steelbird, but they decided to go full-time. They clearly upped the ante in this gig with their classic Black Sabbath, Exciter and Savatage covers driving the crowd crazy. Armament vocalist Indranil worked his magic with his warrior brother Samrat who worked the crowd into a frenzy. Their set which involved a few glitches were worth a thousand metal horns for ushering in traditional heavy metal into an abyss of experimental and nu-age music.

    In the meantime the guys from Mumbai had landed and arrived at the gig, eager to go onstage and demolish the place. Hard rock/heavy metal band Hellwind took stage for the first time in Calcutta. It’s difficult to ascertain what went wrong but they weren’t clearly the crowd favourites. Apart from the Black Sabbath tribute and AC/DC cover, there was a Reload era ‘Tallica cover as well. Akshay Deodhar clearly knows how to pack a punch right in the face with his belligerent vocals. But their entire set seemed plain-Jane compared to the other bands in the line-up. They did make a late impact with their Priest-styled OC Taste of Metal, albeit overdue.

    Images by Deeptarshi Ganguly

    With Rajarshi Bhattacharya, Kiron Kumar and Pushkar Joshi joining in from Hellwind, Mumbai-base15d death-doom band Primitiv was ready to scour the place with their ‘primitive’ sound which is as old-school as one can get. This beast of a band coupled with their onstage presence felt like a Xenomorph on steroids, reminding one of a DC comics’ character, Swamp Thing (I’m not kidding, that’s how ‘primitive’ they are). Front-man Nitin Rajan’s voice is the perfect amalgamation of Obituary’s John Tardy-esque throws and Barnes-era Corpse’s guttural vocals which instigated to open up the mosh pit and let the brutality flow freely. As the frenzied crowd moshed to Obituary’s By the Light cover and other Primitiv OCs, everybody was surprised when a nuke landed in the form of a Led Zeppelin cover where Plant’s vocals were replaced by Rajan’s growls.

    Known for their brutally tight performances, it was time for Calcutta’s veteran thrash metallers, Armament to slaughter people with electrifying Teutonic thrash. Equipped with a classic thrash influence of the 80’s the band delivered wicked covers of bands like Sadus, Demolition Hammer and Agent Steel. Amidst their destruction and chaos they were joined by their former band-mates, Syd Myers on guitar and Ayan on drums. Despite technical difficulties and sound troubles the band emerged unscathed and launched their much-awaited EP, First Strike in the grandest way possible. Of course, an Armament gig is incomplete without their original, Gas Chamber which exhilarated the crowd to open up a mini mosh pit onstage.18

    As the night came to an end, it was time for the final, headlining act of the gig, a real big birdie named Albatross. This was the very first time all these Mumbai bands were playing in Calcutta and Albatross was no different. But it was indeed very special for vocalist Biprorshee Das and bassist Dr. Hex a.k.a. Riju Dasgupta to play in their hometown for the very first time.There are very few words that can sum up their performance which began with a brand new song from their latest album (Fear From the Skies), Children of the Cloud. A Sabbath Bloody Sabbath cover, followed by a truckload of originals from their previous EPs left the crowd stunned. Biprorshee’s banshee-like shrieks and ghastly laughs coupled with his Herculean vocal range must have made Heath Ledger smile proudly at least once, wherever he may be. The surprise Tornado of Souls cover was the perfect climax for the already perfect night as Albatross literally slayed every single thing in its way.  Nishith Hegde’s handiwork definitely raised doubts amongst the metalheads regarding his human (?) identity but before one could ask for more, everything came to an end. Oblivious to the aching necks and painful bodies, amidst the putrid smoke, the glittering lights and the vile figure of Dr. Hex in the background, one could see the mariner letting the Albatross fly away this time, for it to return again.

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  • Exclusive single release:The Berlin wall by Intoxicate

    Aug 15 • All Updates, Indian News, Releases • 3082 Views

    Kolkata metallers “Intoxicate” released  their new single entitled “The Berlin Wall” from their upcoming album “Memories” which is set to release later this year. Check out the track exclusively here on metalbase, Give it a share if you like what you hear.

    Recording, Mixing and Mastering by: Somagni Biswas

    Artwork by: Shamik Mukherjee

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