01 – Hive Minds
02 – If You Got It at Five, You Got It at Fifty
03 – Wrongdoers
04 – The Potter Has No Hands
05 – Sword in Mouth, Fire Eyes
06 – Afterhour Animals
07 – The Lash Whistled Like a Singing Wind
08 – Neck in the Hemp
09 – Triffids
10 – Funeral Singer
11 – Sun Dies, Blood Moon
Christian metal… An oxymoron to many, a source of inspiration for some, good music for a mere handful. More often than not, your average heavy music enthusiast shuns it like the plague. This is precisely where one needs to bring in that ever so clichéd phrase, “You don’t know what you are missing.” To people with faculties that abound in the dumb ignorance quotient, Christian metal, despite their overtly religious tones has its share of unique bands, which haven’t been given due credit. From the death metal cavalry of Mortification, prog laced thrash from Believer, the unmitigated onslaught that is Living Sacrifice, and the inseparable paragons of old school doom which is Trouble. It probably is safe to say that the 90s held fewer Christian metal bands, yet being those who never allowed quality to take a nosedive like we are full witness to today. Post – millennium, what you have is a slew of metalcore bands that rehash rehashed material and served with a cup of evangelical tea.
Here’s their first single. To just give you a preview of what to expect.
As the case may be, there will always be a few exceptions to the rule. Zao was one, Underoath and Becoming the Archetype for a good part were as well. While the rest, were quite content on donning exactly the same piece of clothing and a whole lot of swagger. Then there were a small lot that started out boring, continued being boring albeit hinting at improvement, until finally they just decided it was time to quit and start anew. Norma Jean is an example.
With their last release Meridional, it was quite obvious they were finally beginning to find their feet as opposed to showing mere glimpses of it. The sound of Meridional was something of a homage to every sound they’ve previously tried out on, to moderate success. Wrongdoers, their 6th down the line, sees the band honing its craft and delivering with much conviction which lacked previously. Just the like their last record a few Dillinger Escape Plan-esque mathcore comes into play, but this time with their own, subtle yet conspicuous little spin on it. Even a few surprisingly sludgy sections do take a peek in and out of a few songs. Then there is your share of off heatseekers such as the absolutely emotive closer Sun Dies, Blood Moon. Playing along the slow reflective line rather than the all guns out blazing style the band is recognized for, coupled with Cory Brandon’s unfeigned warm croons and strung out screams of despair, all makes for a much endearing listen. Songs like Triffids (yes those venomous man eating plants you see on cartoon network), Funeral Singer, If Got It At Five You Got It At Fifty all count powerful crunching riffs than on senseless guitar pyrotechnics.
The album capitalizes on all past misgivings, restructuring them into something more cogent and yet relishing in its controlled yet chaotic environment. Effectively lending the album the necessary appeal and high replayablity, which past Norma jean records I personally think, sorely lacked. This will be their antecedent benchmark for all Norma Jean releases to come. Wrongdoers can do no wrong.
A B-side from the album
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