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  • Lords Of Primitiv, Artwork by Aakash Dwivedi

    Primitiv release lyric video of the track ‘Lords of Primitiv’

    Sep 22 • Indian News, News, Releases • 4058 Views

    Primitiv, have released their second single, ‘Lords of Primitiv’, a year after their first single titled ‘Taurus’. Primitiv, consisting of members from bands like Albatross and Hellwind, is an old-school metal band, known for their brutality and no-nonsense attitude along with their engaging lyrics.

    Lords of Primitiv is the first song ever written by the band. Its composition is done by guitarist, Rajarshi while Riju Dasgupta is the lyricist. The song was recorded at Mindmap Studios, Gorai, mixed by Ashwin Shriyan and mastered by Daniel Kenneth Rego.

    Lords Of Primitiv, Artwork by Aakash Dwivedi

    Lords Of Primitiv, Artwork by Aakash Dwivedi

    The first thing I noticed about the song was that it gives an immediate old-school metal feel. The riff that guides the listener into the intro of the song is a rhythmic, slow and intense breakdown which sets off an impression of what it is to follow. It is played thrice before the song floats on to the guitarist’s melodic bridge which establishes the vocalists’ entry to tell the story. The vocals in the song are harsh and brutal and unforgiving, resembling old-school death metal and even pushing the boundaries to conceivably black metal. The riffs continue to be juicy as they reverb throughout the verse.The sound of the whole band during the chorus undoubtedly sets the premise of the song. It is appealing as well as catchy, and it’s inadvertent that your head and spine will start moving as soon as the vocalists voice syncs in with the guitars and drums, ensuring some wicked headbanging. The hero of the song is definitely Nitin Rajan’s vocals, completing the songs constraint of generating an evil tone.


    The lyrics talk about a person’s entry into a forbidden cave without paying attention to the warning on the wall, where he discovers a presence of the Evil Gods, ‘Lords of Primitiv’ who have been imprisoned there since ages. The person releases them by uttering enchantments in an ancient tongue and forms a pact with the Gods to rule the earth together. But they turn on him as soon as they are released, destroying him and the earth to bring about an apocalypse. The lyrics compliment the compositions created by the band perfectly as it all blends together to give the listener an innate feeling of malevolence and destruction, which I think is the vital motive of the band.
    The song concludes with the ending chorus and leaves itself echoing in the ears of the listener.

    In my humble opinion, this song is massive and definitely one of the bests I’ve heard this year from a national band. The band has done a great job and its shows tremendously on the output. I would recommend it to every metalhead and challenge you to see if you can stop yourself from playing the Play Again button.

    Primitiv has also released their t-shirt design, CLICK HERE TO BUY

    Primitiv T-shirt design

    Primitiv T-shirt design

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  • New Lamb Of God Album Coming Next Year - 2015

    New Lamb Of God Album Coming Next Year – 2015

    Sep 20 • International News, Releases • 3833 Views

    Randy Blythe from Lamb Of God confirmed the release of their eighth album next year, 2015.  He also said that his book about his Czech manslaughter ordeal will be published around the same time.

    The band haven’t begun work on the follow-up to 2012’s Resolution, which is why the frontman can’t offer any details.

    Blythe tells Jamey Jasta on The Jasta Show: “The new album and the book will be released in the early part of next year, close together. It’s hard to say with the record because we haven’t written it yet – but the book is almost done.”


    It’s likely guitarist Mark Morton will contribute lyrics. “We haven’t discussed it,” says Blythe, but adds: “With lyric writing, very rarely do we disagree about something. He’s more into the way things sound, and that’s why he’s good at writing the hooks. Sometimes with my words, I’ll get him to help me figure out how to phrase things. But this record, I’m sure he’ll add some.”

    Dark Days: My Tribulation And Trials is set to appear via Da Capo Press, beginning with his arrest in the Czech Republic in 2012 following the death of fan Daniel Nosek two years previously. It covers his weeks behind bars, his trial and final acquittal.

    But Blythe warns: “There’s no fucking lesson. People are like, ‘It’s so cool you learned from your mistakes.’ That’s bullshit. The only thing that happens is a tragedy – there was a dead kid.

    “There’s people who’ve been through worse, definitely; but it was not a good experience. Writing the book helped me process it a lot.”

     

    Source : Metal Hammer 

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  • Prinicipality of Hell – Fire & Brimstone

    Sep 19 • Reviews, The Slumbering Ent • 2807 Views

    Jayaprakash Satyamurthy reviews the debut full-length from Principality of Hell titled Fire & Brimstone, released via World Terror Committee.

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    Originality and progress aren’t everything, especially in the world of underground metal, where entire subgenres dedicate themselves to playing music that is a throwback to some cherished bygone era in the history of metal. This is certainly the case with Principality Of Hell whose allegiance to the chainsaw riffs and raw vibe of Venom and early Bathory becomes obvious on the Motorhead-in-league-with-Satan attack of the opening track on this album, ‘Fire & Brimstone’, complete with its chants of ‘black fucking metal!’ ‘Codex Inferno’ brings out the darker, Morbid Tales-era side of this kind of music, with frantic, eerie riffing and vocals that sound like a menacing ghoul’s imprecations. It’s all very blackened and raw and in your face, and the menace outweighs the rocking, which is what sets the effective purveyors of this sort of derivative metal from the misplaced party-animal headbangers.

    The rest of the songs after this opening duo follow in more or less the same vein – don’t expect any real diversity on an album like this. Songs like ‘The Bleeding Nun’ and ‘Hellfire Legions’ do what their labels promise: deliver a ton of good, clean Satanic fun. The grooves and melodies are quite effective of their kind although there isn’t really a lot to mark out a lot of these songs from each other.

    (via No Clean Singing)

    Things improve at the tail end of the album. ‘The 9th Seal’ has a stand-out eerie intro and I enjoyed the almost Hellhammer-like raw darkness of ‘The Hand of the Hangman’, but the whole middle of the album kind of whizzed past in a mid-paced mosh blur. The Exodus cover which ends the album, ‘Strike of the Beast’ is a nice extra touch, done more or less faithfully but with the grimier tone and approach of the rest of the album.

    It’s hard to say much more about this album; it is what it is. The trio who have recorded this album know their influences and they know how to go about emulating them with a modicum of conviction and competence. The songwriting is hardly earth-shattering. If you share the band’s tastes then this is an album that won’t replace the classics on your shelves, but will make a nice diversion if you’re getting a bit burned out on spinning those hoary essentials time and again.

    RATING: 2.5/5

    (This metal firmament is infested with screeds no better nor worse than this one.)

    Stream the whole album below in bandcamp

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  • SikTh ready to unleash their brand of metal at Euroblast

    Sep 19 • Events, International News, Interviews, News • 5911 Views

    Unique , high paced , technical , yes we are talking about progressive metal veterans SikTh. The band that was ahead of time , the sound was innovative, the technicality was mind-blowing and the pace was unrelenting. The band announced their hiatus back in 2007-08, it was six long years until the band announced their reunion. In December 2013 the band announced they were playing at Download 2014. The band since has been (and will be) playing select festivals in UK, Germany and Nepal. We sat down with Dan Weller and spoke to him regarding their appearance at Euroblast and what can fans expect from SikTh now that they are back

    SikTh

    SikTh

    Metalbase India: It’s incredible to have you guys back up on the stage, fellas, how is it going for SikTh 2.0?
    Dan Weller(SikTh): Ha, it’s going really well. Lots of fun and lots of excitement around.


    MBI: It’s been close to seven years since you guys were in the thick of actions, and now you are back doing what you guys do best. What does SikTh feel has changed about the music industry, community, the live gigs themselves? Do you feel your work has been cut easier for you given how the Internet is suddenly in the middle to catalyze it all?
    DW: The industry is an ever evolving beast. There certainly feels like there’s a ‘before and after’ sense to the music scene now. SikTh was there before Myspace/facebook/twiiter so to come back now feels very different. We will never go back to those pre-internet days where bands were discovered in multiple ways so I feel thankful and lucky that we were there in the last years of that era,Having said that, the internet has benefitted SikTh a lot as it’s kept our name alive.

    MBI: Firstly, getting to the bone of contention, what made you guys vote to go into hiatus? When you decided to reform where those issues resolved?
    DW: We just didn’t have the collective drive to carry on. But yes, things are very different now and we are all enjoying it a lot more.

    MBI: Was getting the band back together easier said than done or otherwise? Did you guys deal with any form of unforeseen obstacles on the path to your reunion?
    DW: It was very easy. The hardest part was learning the songs again as most of the riffs had been forgotten.

    MBI: Given some of the updates you made on social media, we understand that you guys are pulling all the stops, practicing at for inhuman stretches of hours to prepare for your comeback line of gigs. What is SikTh’s mantra for getting back to square one, re-learning all your own old compositions?
    DW: Well the most important thing for us has always been to respect our music. We spent many years writing and creating a sound of our own so it was vitally important to be able to execute them well. We would like to practice a lot more but we are spread all over the UK so it’s difficult.

    SikTh headlining the ninth edition of Euroblast

    SikTh headlining the ninth edition of Euroblast


    MBI: Given how SikTh’s line-up has withstood the test of time and how much your act banks on the chemistry you share as musicians, would the unforeseen departure of a core member mean the end for SikTh and its other members playing together, playing SikTh material live? Or would you still carry on finding a decent replacement?
    DW: SikTh is this line-up only. The sound we have discovered is a direct manifestation of six vary different personalities and musicians coming together and exploding in the middle. It just wouldn’t be the same.

    MBI: If our knowledge is correct, all the members of Sikth were involved in one or more projects and side projects and so on in the past 7 years. Could you list some of the notable side/live/studio projects you all have undertaken in between?
    DW: Well Mikee, James and Loord formed a band with Adrian Smith from Iron Maiden. Pin did a side project with insane Drummer Thomas Lang and created ‘Aliases’. In addition to those bands James has been playing Bass in ‘Pure Love’, Loord’s been Drumming for Thrash band ‘Whiplash’ and the two of them have a new band ‘Krokodil’ with Laggs from ‘Gallows’ and Dan P Carter from Radio 1 Rock show. Justin and I have moved into careers as Producers. I play in a band with my close friend Dan Tompkins from ‘Tesseract’ and ‘SkyHarbor’.

    MBI: It’s been a decade and a half almost since the inception of SikTh. How has the journey been so far, including the hiatus, as SikTh?
    DW: Our only reason for forming SikTh in the first place was to create something special that would stand the test of time and play some kind of role in the metal landscape. I feel that we’ve done that so I’m very proud. SikTh has given us all long term careers in music so we are thankful.

    MBI: I bet it is futile to ask this but what genre can SikTh be categorized as? Would you characterize yourself with the onomatopoeia masquerading as genre i.e. “Djent”, or Math Metal?
    DW: Hell no. Never have, never will.

    MBI: What was the first thought that occurred to each of you at the prospect of going back up on stage again as SikTh, knowing that there are armies of fans everywhere hyped up on your comeback?
    DW: We just wanted to do our songs justice and not damage our reputation. We also wanted to play to people that never had a chance to see us.

    MBI: SikTh is headlining this year’s chapter of Euroblast. Given that most of these bands are by products of your brainchild, in a manner of speaking, how does it feel to see the SikTh genealogy in action under one roof, headlined by none other than yourselves?
    DW: Well, who knows how influential we’ve been but it’s really flattering to be considered in that way. To be able to come back years later and be offered headline slots is an honour.

    MBI: Has SikTh started working on any new material as of now? Regardless, is there any rough estimation to when we can hear a new SikTh record in full?
    DW: Yes, Loord and i started doing so casual writing. It sounded great so I think we’ll do some more. We have no plans to release anything in the near future but it’s an ongoing discussion.

    SikTh Live (Photo Courtesy:Tom Russell)

    SikTh Live (Photo Courtesy:Tom Russell)

    MBI: Given the common human meme that berates everything without fully understanding it, a lot of bands get flak for emulating Meshuggah and yourselves. What are your thoughts on the matter? What is your advice to those bands who give us glimpses to the “Sikth factor” every now and then in their performances?
    DW: Speaking personally and not on behalf of the rest of the guys I think that there are far too many bands stealing Meshuggah’s blueprint and running with it, I love Meshuggah and think they’re the greatest Metal band since Pantera. But I think there are a lot of lazy Song Writers out there who have just created their very own Meshuggah and I find it all a little tedious. For me, Song Writing is your way of leaving a sonic signature on the world. I’ll never understand why so many people want to sound the same as someone else.
    With regards to bands that are influenced by SikTh – I have no idea who they are but I can only be thankful and flattered

    MBI: SikTh is due to play at the Silence Festival in Nepal alongside The Algorithm which was headlined by some of the biggest current heavyweights in Metal. Given since it is your first time around in these parts, what are your expectations from the show?
    DW: I have no idea what to expect – we are all just very excited and privileged to have been invited there.

    MBI: Did you have it in mind to play a show in this side of the world when SikTh reunited or was it just a good coincidence?
    DW: We said “if we are going to get back together then let’s try to play everywhere”. We had no idea we would be offered a show in Nepal.

    MBI: Given how much hype has been building in these parts with having SikTh and The Algorithm on the same bill, is there any chance that the two acts might collaborate on-stage?
    DW: I don’t think so no. We struggle to get in the same room and practice as it is – so doing it with another band would be very unlikely

    MBI: What’s on the cards for SikTh post Silence Festival? Do you plan to do touristy stuff alongside playing the show as well?
    DW: Yes, I’d love to see the place. My Brother and Sister have both travelled around Nepal. In fact my Brother proposed to his wife there. So I’m very excited about going.

    SikTh Live

    SikTh Live

    MBI: I think I always surprise my favorite musicians when I say this, but you guys have a heck lot of a following back here in India, were you aware of that? What would you say to an Indian tour? Do you have anything as such on the cards anytime soon because a gig so close to our own stages everyone’s jonesing for a taste of SikTh live at our own hometown stages?
    DW: Yes, that does surprise me. It’s great to hear and makes me very happy. We are hopefully coming to India in the New Year.

    Quick fire round:
    MBI: 5 Non Metal artists SikTh is listening to right now.
    DW: DEAD! The 1975, Madonna, Queen, Haim

    MBI: 5 tracks that are guaranteed to be part of the SikTh playlist at Silence Festival.
    DW: Bland Street Bloom, Flogging the horses, Skies of Millennium night, Pussyfoot, Part of the friction

    MBI: This is SikTh’s space. Do you have any messages for your fans in this part of the world, some of whom have of course planned traveling to Nepal to catch you live in action for the very first time?
    DW: We are a bunch of normal guys who still can’t believe that people that far from home want to hear our music. It makes us proud, honored and really excited to come and perform for you. We appreciate every single one of you.

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  • Jay Weinberg is the new Slipknot drummer ?

    Sep 19 • International News, News • 11539 Views

    Everyone is speculating the identities of the new Slipknot drummer and bassist.The tattoo gave away the bassist’s identity which now certainly seems to be Alessandro Venturella of Krokodil and Cry of Silence


    And now it seems the drummer’s identity is out as well. Jay Weinberg it seems is the new Slipknot Drummer.Laura Jane Grace from the band Against Me had a rant on twitter , she tweeted
    Dear Slipknot, good luck with that. #shitbag.

    The new Slipknot drummer mask

    The new Slipknot drummer mask

    Weinberg, 24, was a member of Grace’s band Against Me. Nothing is official yet , the band has insisted on announcing the new members when the time is right   ‘Trust me – when the time is right we’ll give you the answers you need. That’s the way it is.’, said Corey Taylor in an interview.  But its hard to see Weinberg not being the new drummer, Weinberg was the drummer who was in the studios with Slipknot recording their new album.

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