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  • Judas Priest - Redeemer of Souls - March of the Damned - Exclusive Preview

    Judas Priest “March Of The Damned” Exclusive Song Preview

    May 14 • International News, Most Popular, Releases • 4550 Views

    ‘Redeemer of Souls’, The lastest album by Judas Priest will be out on July 15, and they have already shared the title track. Here is an exclusive preview of the disc’s first official single, ‘March of the Damned’ . The band debuted their new song, ‘Redeemer of Souls’ during the last week of April which can be heard below.

    As for the song ‘March of the Damned,’  Halford tells Loudwire, “I’m a huge fan of ‘The Walking Dead’ — I can’t get enough of the show. [While the song is] not about zombies, it’s a bit of a twist on that. When I heard Richie’s riff, it’s rhythmic and it invokes marching.” He adds that the track “has some of the elements we had with ‘British Steel.’”

    ‘Redeemer of Souls’ will arrive on July 15 via Epic Records and will be available in both standard and deluxe editions. The standard album consists of 13 new songs of epic metal, while the deluxe disc comes with five bonus tracks. “We feel ‘Redeemer of Souls’ reinforces our passion for what we believe in form the Judas Priest-style heavy metal,” states the band in a press release.

    Judas Priest - Redeemer of Souls - Release Dates

    Judas Priest – Redeemer of Souls – Release Dates

     

    This disc is also a special one for the group as it marks the first time they’ve written with guitarist Richie Faulkner in the fold. He co-wrote on tracks with guitarist Glenn Tipton and frontman.

    With track titles like ‘Dragonaut,’ ‘Halls of Valhalla,’ ‘Sword of Damocles’ and ‘Metalizer,’ there’s little doubt this is a Judas Priest album. Check out the full track listing, along with the bonus cuts, and look for Judas Priest’s ‘Redeemer of Souls’ in stores on July 15.

    Judas Priest - Redeemer of Souls - Album Cover

    Judas Priest – Redeemer of Souls – Album Cover

    Judas Priest, ‘Redeemer of Souls’ Track Listing:

    1. ‘Dragonaut’
    2. ‘Redeemer of Souls’
    3. ‘Halls of Valhalla’
    4. ‘Sword of Damocles’
    5. ‘March of the Damned’
    6. ‘Down in Flames’
    7. ‘Hell & Back’
    8. ‘Cold Blooded’
    9. ‘Metalizer’
    10. ‘Crossfire’
    11. ‘Secrets of the Dead’
    12. ‘Battle Cry’
    13. ‘Beginning of the End’

    Bonus Tracks:

    ‘Snakebite’
    ‘Tears of Blood’
    ‘Creatures’
    ‘Bring It On’
    ‘Never Forget’

     

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  • Metalsphere Guitar Player Week Keshav Dhar Skyharbor

    Metalsphere Guitar Player Week: Keshav Dhar (Skyharbor)

    May 14 • Indian News, Interviews, Metalsphere • 10415 Views

    Keshav Dhar can easily be named one of the pioneers of modern metal in India. Taking his solo project ‘Hydrodjent’ out of the bedroom and staging one very sought-after modern progressive outfit ‘Skyharbor’, this man is more than just a guitar player. Having aboard Dan Tompkins (TesseracT), and also drummer Aup Sastry (Jeff Loomis, Intervals) Skyharbor’s lineup is now across three continents!

    The interview is with the genius behind ‘Dots’ and ‘Celestial’, brought to you by the very own me! (ikr?!) Here’s an interview many of you might be eager to read. Go ahead, have a look, I’m sure there’s something new and unique with every guitar player, especially when it comes to composing music!

    Don’t forget to vote for Skyharbor at the Metal Hammer Golden Gods in the ‘Global Metal’ category right HERE.

     

    Keshav Dhar Guitarist Skyharbor

    Keshav Dhar, Guitarist -Skyharbor

     

    Full name and age

    Keshav Anand Dhar, 27

     

    What is your favourite dish/cuisine?

    Indian: Prawn Chettinad curry, Non-Indian: Sushi or Pho

     

    Kindly tell us about all your precious gear! (guitars, processors, software)

    I currently have four guitars. My main writing guitar is a gorgeous Mayones Regius custom 6 string. I also have my trusty old Ibanez SZ2020, which still sees a fair bit of use and I absolutely love writing on it. I also have a PRS Custom 24 7 String which I use live. I rarely write songs with it though as I’ve always been a 6 string player at heart. In addition to this I have an Ovation acoustic which I don’t play very often but it’s recently seen a fair bit of use.

    My ‘rig’ at the moment is quite simple, I’ve never been into pedals and endless knob tweaking, I just like to dial in sounds quickly and jam, and my Fractal Axe-FX II does this job perfectly! The amp modelling is second to none, it’s incredibly versatile and responsive to my playing, and the effects are gorgeous. It’s also completely midi controllable, so when playing live all my patch changes happen automatically in sync with the click tracks, which is really cool. All I need to do literally is play!

    In the studio, I record, edit and mix between Cubase 7 and Pro Tools 10. I’ve been a Cubase user pretty much ever since I started recording many years ago, and I know it like the back of my hand now. I’ve started using Pro Tools a little more of late just because it’s industry standard and clients send me a lot of PT session files for mixing, but I mostly just consolidate the files in there and bounce them out into Cubase again haha.

     

    How long have you been playing guitar?

    About 11 years or so now.

     

    What got you into playing guitar?

    Well I started playing guitar casually because I wanted to be able to play Metallica songs. Haha.

    But I really got serious about it after watching Joint Family play live in Delhi at the ‘Numero Uno Rock Out’ festival in 2005. That show really fired me up. It was like, fuck! THIS is what I want to do!

     

    Skyharbor_keshav_dhar

    Skyharbor – Keshav Dhar

     

    Have you learned to read music as well, or do you just play by ear?

    I had 10 years of piano lessons so I can read sheet music, but ever since I started playing guitar I have never ever looked at sheet music. I actually got so fed up of the bullshit that piano lessons involved – reading music, zero room for self expression, so regimented and boring – that when I started playing guitar, I sort of swore to myself that I would only ever play by instinct and only do what sounded good to me, theory be damned.

     

    Electric vs. acoustic. What do you prefer?

    I am a terrible acoustic player, and a great many of the songs I write depend heavily on effects, delays/reverbs/choruses/wahs/phasers etc, so electric for sure haha.

     

    What thought goes into riff construction/is there any particular pattern you follow to make riffs?

    I have a really weird approach to writing riffs. I’m not really that good of a guitar player from a technical standpoint, so when ideas come to mind I immediately record myself bullshitting through it – basically whatever my fingers are able to interpret of the idea in my head. Then I pick apart the notes, phrases, licks etc, and keep what I like and discard little bits in the middle.Then I fill in those gaps in the middle one by one. Often, I come up with a bunch of different riffs which I have no idea what to do with. Then just for fuck’s sake, I chop them up and paste parts of different riffs together to form new riffs. Hahaha. It’s really weird, and I wouldn’t recommend anyone else do this unless it feels natural to them. It’s just that I started recording and mixing before I started seriously playing guitar, so the computer and the DAW has always been an integral part of my process. It works for me.

     

    skyharbor_moscow_live_2013

    Skyharbor Moscow Live 2013

     

    What music projects are you currently a part of, besides Skyharbor?

    I’m part of White Moth Black Butterfly which is an experimental sort of proggy rock project I have with Dan (Skyharbor singer). I also write music with my old buddies in Another Vertigo Rush, in the background. Apart from that, not much really – Skyharbor keeps me really busy most of the time when I’m not producing.

     

    Do you have a day job? What is it that you do?

     Yes! I have my studio Illusion Audio, where I record, produce and mix bands and also generally do any and all music production related projects that come my way. Apart from working with bands which forms the bulk of my work, I also score for documentary films and ad films from time to time, although I always come back to working with bands. It’s what connects the most with me.

     

    Your favourite musicians (Indian)

    I’m guessing it wouldn’t be fair to name my own band members…
    Guitar: Vishal J. Singh/Prashant Shah
    Bass: Nikhil Rufus
    Drums: Jivraj Singh/Jai Row Kavi
    Vocals: Sunneith Revankar/Siddharth Basrur

     

    Your favourite musicians (international)

    Guitar: Ben Sharp
    Bass: Jon Stockman
    Drums: Steve Judd
    Vocals: Ian Kenny/Devin Townsend

     

    Keshav Dhar

    Keshav Dhar

     

    Can we expect a release from your band(s) any time soon?

    Yes definitely – Skyharbor is wrapping up recording our second album and it’s off to mixing soon. There’s a pretty big PR campaign that will surround this release, so it won’t be before this fall, but it will definitely be this year. Probably around October or November.

     

    Whom do you look up to, as a musician and a band?

    Ben Sharp and Devin Townsend are my heroes!

     

    A message to all your fans (hello ladies!)

    Thank you all for the love and support through the years – we’ve got a lot of new music coming your way and we can’t wait for you to hear the new album!

     

    Visit Skyharbor on Facebook and Soundcloud

    White Moth Black Butterfly on Facebook

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  • Stream District: Origin, Trap Them, Nightfell,Aathma,

    May 14 • International News, News, The Slumbering Ent • 2588 Views

    As the country hollers “RESULTS!!” and loses itself in a self conceived delusion of choice, lets consider the matter of just sitting down a minute and go over a bit of new music shall we? At least here you’ve got the certainty of choice at your disposal!

    1. Origin

    Entity was indeed a coup de maitre. The album that solidified the ground that Antithesis was built upon. A clusterfuck of riff bred songs that were short and potent, and hit the listener hard where it should. I might as well call it a triumph of modern death metal. But that was 2011 and with the essential 2-3 year album gap period done you have  a brand new album. Omnipresent to be out on Agonia Records is something to watch out for and they’ve just released a brand new single. Although i admit i was not actually floored by the song the  mid-section did get my hopes high.

    origin-omnipresent-album

     

    Artwork by Colin Marks at Rain Song Design

     

    2. Trap Them

    Before you shout Entombedcore, and then spat out random names like Nails, Black Breath and All Pigs Must Die, let’s say that Trap Them sounds a tad different in their new bunch of songs. Their second single seems to have been slightly less reliant on the gritty buzzsaw driven sound, not really a bad thing in itself but it does seem to have a slightly, let’s say more earthly rather than its former grindier self. But that’s probably a personal scruple that’s better ignored. Here’s Organic Infernal off their 4th full length titled Blissfucker, to be released via Southern Lord.

    unnamed

    3. Nightfell

    Now this is a record I’ve grown excited about (along with the new Desecresy), probably because of the bands from which this duo draws blood from. Tim from Mournful Congregation/Aldebaran and Todd from the seminal and personal favorite Tragedy meant to yours truly’s logic, a doomy downtempo hardcore band. And no surprises here, my guesses are as always beyond hopeless. Nightfell is a band that plays death doom with a good amount of those of pervasive – despair ridden melody. The kind you see on a Skepticism or Ahab record, but more fast paced which also sometimes come blackened, reminiscent of Aosoth. My excitement has just found its answer as the band has just made available their debut album The Living Ever Mourn entirely for streaming and download on bandcamp.

    4. Aathma

    Now we of all people know what that word means and it does tug at your curiosity when there is indeed a metal band named after it. Then again, you could make a guess for the genre with that title alone. If it ain’t  psychedelic prog its sludge stoner. And it indeed is the latter with a doomy post metal connotation. Aathma with their brand new track titled ‘Deadly Lake’, explores a landscape where Neurosis first set foot but do so in a way that they leave their own indelible footprint on it.  With vocals that stand midway between van Drunen and von Till(especially those semi-whispered cleans at the end) it is endearing as much as it is harrowing. A lake, the mere sight of which can thrust you into its bare benthic depths. Brilliant stuff and probably one of the best tracks all year.

    The track comes off an EP with the same name that also contains previously unreleased material from the band.

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  • Metalsphere Guitar Player Week: Nishith Hegde (Albatross, Reptilian Death, Demonic Resurrection)

    May 13 • Indian News, Interviews, Metalsphere, News • 8172 Views

    Nishith Hegde is the guitar player for Reptilian Death (yes, under that cloak there’s a human), horror metal band Albatross and recently Demonic Resurrection. I remember this guy from back when he had a band called ‘Kohram’, playing around at college competitions, after which he was discovered for his immense talent.

    Friendly as he is, this guitar prodigy hasn’t been at it for more than four years, but he can still play practically anything you ask him to. Like, this dude will go all, ‘Betcha can’t play this’ and all, like in this video:

    He also looks South American sometimes. Nonetheless, he’s young and he’s doing some insane things with his instrument. Lets get to know this guy a little more.

    Full name and age.
    Nishith Hegde, 19

     

    What is your favourite dish/cuisine?
    Korri Rutti. Which means Chicken Curry with Rice Wafers.

     

    Kindly tell us about all your precious gear! (guitars, processors, etc.,.)
    I own an ESP GUS 200 as well as an Alex Wade signature model, the AW 7
    Processor: Line 6 Pod XT live

     

    How long have you been playing guitar?
    3 and half years now

     

    What got you into playing guitar?
    Well, my dad bought me a guitar on my birthday and I never thought I would ever play or do this professionally, but I did not realize, I loved it sooo much that I just couldn’t put it down since.

     

    Have you learned to read music as well, or do you just play by ear?
    No, I haven’t learnt to read music. I just play by ear.

     

    Electric vs. acoustic. What do you prefer?
    Acoustic.

     

    What thought goes into riff construction/is there any particular pattern you follow to make riffs?
    Well, you know you’ve composed a good riff if you remember it or if it gets stuck in your head. I normally don’t really care about what people think of what I have written. If I like it, it stays.

     

     

    Nishith Hegde (Albatross, Reptilian Death, Demonic Resurrection)

    Nishith Hegde (Albatross, Reptilian Death, Demonic Resurrection)


    What music projects are you currently a part of?

    I play for Albatross, Demonic Resurrection and Reptilian Death.

     

    Do you have a day job? What is it that you do?
    Yes I do. I work at Furtados Music as a Sales executive.

     

    Your favourite musicians (Indian) Guitar: Dhruv Ghanekar
    Bass: Ashwin Shriyan
    Drums: Viru, Gino Banks
    Vocals: Biprorshree Das, Sunny, Vinay (BM)

     

    Your favourite musicians (international)
    Guitar: Andy James, Jeff Loomis, Marty Freidman
    Bass: Evan Brewer
    Drums: Alex Rudinger
    Vocals: Warrel Dane

     

    Can we expect a release from your band(s) any time soon?
    Yes you can. We (Albatross) have been working on our new record “ Fear from the Skies” and hope to release it some time soon this year.
    And of course, Demonic Resurrection will be releasing album titled ‘The Demon King’ as well.

     

    Whom do you look up to, as a musician and a band? 
    Sahil Makhija. Well, I first saw him at Palm Expo 2012, and I always wondered what it would be like to know this guy. To me he was someone who had done loads for the metal scene in India and of course was a great inspiration.

     

    A message to all your fans (hello ladies!)
    Thanks first and foremost! It would not have been possible without you guys. I really appreciate the support you’ve shown over the past few years and I hope you will continue to do so. Cheers and Stay heavy!

     

    Nishith Hegde (Albatross, Reptilian Death, Demonic Resurrection)

    Nishith Hegde (Albatross, Reptilian Death, Demonic Resurrection)

    Go visit Reptilian Death on Facebook or Soundcloud

    Albatross on Facebook or Soundcloud

    Demonic Resurrection on Facebook and Soundcloud

     

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  • The ‘Nu Metal’ Era: Gems from the Deluge (Part – I)

    May 11 • All Updates, Articles, The Slumbering Ent • 9143 Views

    This is not an article on what nu metal(inclusive of alt.metal) is but what it was to this author (Deckard Cain) at an earlier time. Not an attempt at personal aggrandizing but  a realization that there are many metal loving Indians who might have tread a common path, and the belief therein that it might strike a parallel. For the sake of convenience this article is split into different sections. Here is Part I on why it was important, Part II and Part III revisits some old favorites within the genre, but will be published later on.

    metal_101__the_nu_metal_kid_by_lusoskav-d5d0j7e

    Created by Lusokav

    THE PICTURE

    Nostalgia. A fruit that tastes sour to everyone, save for its beholder.

    A term that suffers a great elevation in importance when equated with something very personal. Let’s say music here. Narrow it down a bit and you arrive at this silly 5 letter world.

    Now let’s pause here a bit before we jump headlong into the matter at hand. I’d be glad if you can take the trouble of imagining a mental timeline, say of your changing musical tastes over the years up to this very day.

    When something of a rough mental picture is arrived at you’d probably start to perceive some semblance of a pattern to it all.

    More often than not you start with the more accessible bands and then move onto something more challenging. Now the term ‘challenging’ can mean different things and is purely contextual. It can mean anything from ‘ simpler yet heavier’ to ‘avant garde’. And yes it’s a given that some do get stuck somewhere near the starting point of the process at comparatively simpler/accessible forms, but that is as much a conscious decision as choosing your job after college as opposed to a shallowness in taste. You tend to get stuck but still very much conscious of the fact that you are so. While some of this is due to a lack of the heightened sense of curiosity that most fans of the genre come to possess, most of it I believe is due to this comfy-ness that creeps into each prospective metal fan somewhere along the line. The will to not explore nor experiment with your tastes within the genre/music can be seriously self-limiting. Extrapolate this behavior, and in effect maps your relation to music as art or as a means of entertainment/lifestyle/temporary relief.


    THE CARICATURE

    Coming back to the evolution of taste(change to be precise) and it’s likely that the first really heavy records you lent your ear to do occupy that much cliched ‘special place in your heart’. It is a shame then that some of us are rather too shy to acknowledge that fearing inevitable derision, all the while ever ready to retreat to the comfort/confines of the elitist posturing that seems to go around metal circles (The Hipster?). Picky even about what to/what not, to write about and share online.

    Increased internet usage and the side effect ‘development of the online persona’ maybe to blame. Where your true self may forever be concealed. In this desperate race to emulate somebody else’s tastes, aren’t we all lost? Aren’t we in effect conforming ourselves to the very essence of what this music tries not to perpetuate? I’d rather be tagged a person with a shallow taste than a pretender. ‘Staying trve’ is not your dream ticket to the ‘Halls of Kvltoria’ but being yourself and listening to what you want to listen. The question is not ‘Beiber or Burzum?’, it’s you.

    P.S.  Kindly quit donning the role of ‘savior of the scene’, ‘preserver of the arts’ and ‘General Boring’.

    But to the ones who really appreciate their formative years in heavy music, it does play an important part albeit subconsciously, in what you listen today and in also what you look for in music today. Similar to how the environment you grew up in has a bearing on your future. Probably why I still prefer some good metalcore and nu-metal to this very day than unwillingly shun it to gain faux image points.

    But more importantly those formative years of music listening relates to a specific time period in our lives that was either filled to the brim with fun or one of loneliness where good music shouldered your multifarious teenage problems. Yet this was where your average impressionable self was either inflamed or put down by metal. For most people my age, mid – late twenties, this period was high school. High school was always about new found freedom and all the ‘trying outs’ that it lead to (although on a lesser scale when compared to college) but more so when it came to music.

    THE TRIAL

    For me it was also a time when the ‘dial up Internet’ was very much the buzzword around town but still managed to elude most Indian households. The very same device that made a whole racket trying to get you connected to a web of questionable existence. The same time you made a calculated decision to rather wait than click your browser’s ‘refresh’ button, when things on the internet were slower than ‘slower than usual’. You couldn’t just go into Google and type in “best metal albums” and be handheld your way to the pantheon of gods.  This inevitably meant scooting off to your friend’s place who fortunately  had a decent internet connection and Limewire(hellyeah!). The friend who never shied away from openly expressing his distaste for the music and in hurling remarks that were more of an implied meaning of how you were wasting his precious monthly ‘MB’ download limit. Ultimately it came down to cassettes and television to feed my information hungry brain. Cassettes especially so, with a price range that easily exceeded the meager 100 rupee budget and complete with a false ‘imported’ tag, much to my chagrin. The albums that did trickle out into small music stores were always the craze and were obviously the popular ones. And when it came to television I was glued to this terrible show, in hindsight, called Billboard top 100 on Star World for every morsel of music that it dropped. Those garish bollywood dance sequences you had to go through before landing on a show on MTV or V Channel that played English music, to say the least.

    But through all that, the sense of accomplishment and subsequent satisfaction achieved was more complete (probably in vein to the excitement of a tape well traded in the 80s), and not a click away like it’s today. To add to that almost euphoric sense of excitement you experience when you find someone with similar tastes. All of that belonged to a time in our short lives that shall remain well etched in my memory. Something you could call back on to escape the dull daily grind that our lives have become.

    GOLD THAT DOTH SHINE

    So from time to time, when chanced upon a bit of mainstream hard rock or nu metal very reminiscent of the early 2000’(circa 2004 in my case), I get this great nostalgic rush. You’d find me poring over Youtube playlists that takes you to a time more than a decade old. A plethora of different nu metal and hard rock acts are immediately dwelt upon. Sometimes the sheer curiosity of whether I’d like it today as compared to ‘back then’ drives me to listen. And its always ends in the affirmative and leads me to the understanding that an embracing of the past is,well…..not really bad!

    Yes it’s a given that as we age we look for something more challenging in music, on account of our senses becoming more perceptive and our requirements becoming more varied. This change is often given the rather demeaning title “growing out”. One of the reasons why you listen to better music today, and one that’s oft shoved under the carpet, is because of the crucial reference point set up by the bands the music you formative years (growing up). For me it was Nu metal. A bridge to wide open spaces that were more green more verdant! (varied metal here) You are to thank it and not disown it. Genre irrelevance has never been this relevant.

    The next part will consider some of the favorite releases of the author (personal gems), heedless of how he’d be mocked at in the virtual domain. 😛

    And lest we forget…  

    this

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