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  • Fête de la Musique - World Music Day

    Fête de la Musique | World Music Day

    Jun 21 • News • 2719 Views

    The Fête de la Musique, also known as World Music Day, is an annual music festival taking place on June 21, the first day of summer in cities around the world.

    The concept of an all-day musical celebration on the days of the solstice, was originated by American musician Joel Cohen, who spent two seasons as a producer of musical radio programs for the French National Radio (France Musique).  The idea later was adapted as a national celebration each June 21 in France. The idea was embraced and made official by the French Minister of Culture, Jack Lang.

    In October 1981, Maurice Fleuret became Director of Music and Dance at Minister of Culture Jack Lang’s request, and applied his reflections to the musical practice and its evolution: « the music everywhere and the concert nowhere« . When he discovered, in a 1982 study on the cultural habits of the French, that five million people, one child out of two, played a musical instrument, he began to dream of a way to bring people out on the streets. It first took place in 1982 in Paris as the Fête de la Musique.

    world music day

    world music day

    Ever since, the festival has become an international phenomenon, celebrated on the same day in more than 460 cities in 110 countries, including Germany, Italy, Egypt, Syria, Morocco, South Africa, Australia, Vietnam, Congo, Cameroon, Mauritius, Fiji, Colombia, Chile, Nepal, United States and Japan.

    Its purpose is promote music in two ways:

    • Amateur and professional musicians are encouraged to perform in the streets. The slogan Faites de la musique (Make music), a homophone of Fête de la Musique, is used to promote this goal.
    • Many free concerts are organized, making all genres of music accessible to the public. Two of the caveats to being sanctioned by the official Fête de la Musique organization in Paris are that all concerts must be free to the public, and all performers donate their time for free. This is true of most participating cities, now, as well.

    Despite there being a large tolerance about the performance of music by the general public of amateurs in public areas after usual hours, the noise restrictions still apply, and can cause some establishments to be forbidden to open and broadcast music out of their doors without prior authorization. So the prefectures of police in France can still forbid them to install any audio hardware in the street.

    Source : Wikipedia

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  • Septicflesh – Titan

    Jun 21 • International News, Reviews, The Slumbering Ent • 3255 Views

    Deckard Cain reviews the new album from Septicflesh titled Titan, released via Season of Mist / Prosthetic Records.

    PromoImage

    Artwork by Seth Siro Anton. More of his work here.

    Who would have thought that the mere removal of a textual blank character would have brought such a drastic difference in sound and execution? And yet Communion is probably the album that brought, the then newly christened Septicflesh, onto the metal mainstream. The inclusion of an entirely professional orchestral team, The Prague Philharmonia, and a fully fledged choir in an album, reveals the sheer scale attempted at. Communion was in scale, a thunderous cloud whose scope was defined by every ray of light it let through, which was indeed none. An achievement unprecedented, but truly their own. Sadly it’s the band themselves that has suffered in its success. Their equally of note back catalogue went criminally underappreciated. The melodic mid-tempo death metal with which they started out had an endearing quality to it. It did not rely on the speed or brute force the genre often banked on but an execution that differed in its substantially mid-paced delivery, intertwined with the sort of ethereal Greek melody that seem to have cultivated into their riffing. Mystic Places of Dawn, Esoptron, The Ophidian Wheel (all 3 almost similarly revered as the Rotting Christ’s first 3) and later on in the Sumerian Daemons were all exercises in a similar manner. The riffs were definitely the bread and butter of the build.

    Post-Communion, the priorities seem to have changed. Flamboyance here takes the fore, the riffs play second fiddle. A hitherto, untried reliance on orchestral symphony and choirs were brought in to take songs forward. The results were obvious on Communion which was a great balance of the unhinged brutality of rightly done death metal and the almost surreal sense of majesty that an orchestral ensemble brings to the table. But on the next release The Great Mass the shortcomings became apparent. A deliberate choice by the band indeed, but perhaps something that caused the band to tone down to provide space for orchestral leanings, but to me it watered down the output considerably.

    This becomes all the more prominent on their latest release, Titan. The orchestral elements played out by the Prague Philharmonia sounds even more detailed and grandiose. Definitely one of the charms of the album that will make a prospective listener out of anybody into metal, at least for a while. Seth’s vocals sound deeper and commanding than ever and a production value that has honestly never sounded better. Yet beneath all this exterior gloss lies a weak inner body that’s meek and devoid of any sense of overarching structure. The guitars, save for a few surprising moments fail to elicit any character of its own. Christos seems to have invested all his time into carving orchestral melodies up to the very borders of its permissibility, and yet in the end sounding all the more soulless without the quintessential guitar juxtaposition.

    Titan is a mansion of architecture exquisite, reminiscent of the middle ages, dulled by the exhibits held within. The few exhibits that are indeed present are either both a bit too lurid and lacking in direction or slapped by a shade too pale to bear. The first three singles – Burn, Order of Dracul and Prototype alludes to this very fact, and they were spot on. Much of the album seems to be the product of your typical Septicflesh ingredients poured into a half formed mould. The track Burn for instance is equal part awful (chorus) and beautiful (bridge section). Order of Dracul and Ground Zero have stellar infectious choruses but fall flat as complete songs grown tepid by flavorless riffing. The only exceptions to the rule are Dogma and Prometheus, two brilliant tracks in their own right. The former includes, what is quite possibly the best moment in the album, the bridge section, where the choir wells up, decimating the monolithic riff preceding it, and unleashes on the listener this beautiful melody steeped in all things majestic. Prometheus for its part is the strongest song on the album, where nothing is compromised for the sake of juxtaposition of dull and melodic parts. I do secretly wish there were more songs like Dogma and Prometheus around and not this foray into vapidity masquerading as new direction.

    Septicflesh has for me personally, suffered a dip in quality which was hinted at in the Great Mass and realized now in the Titan. A turn to the rakish and the sightless. A movement towards the more orchestral and the classical, all at the relegation of character. The hype train has not yet derailed but is forcefully dragging itself towards the maintenance yard.

    RATING: 2/5 ( Ye will neither hate nor love this; ignore or consume at will!)


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  • Outrage Festival

    Zygnema and Escher’s Knot to play new material at Outrage Festival

    Jun 21 • News • 4014 Views

    Outrage Festival

    Outrage Festival

    While the people at Delhi prepare for Outrage Festival, we at Metalbase India got hold of front-man Abhijit from Escher’s Knot and the axe-lord Sidharth Kadadi from Zygnema. “When a fellow musician is working hard towards building something, you definitely cannot say a no to him’’ says Sidharth when asked what got them on the bill. “To all our homies in Delhi please attend in numbers and make it count’’. Zygnema have been around the scene for a long time, one of their first stints being GIR with the Intronaut, Benea Reach, Solstate trio, while Escher’s Knot are a fairly new band with a debut scheduled for a rather anticipated release. “We’re almost set and can’t wait to hit the studios for Debut album. Pre-production ends by end of August and yeah we are looking at entering studios post that!” says Abhijit when asked about what’s happening in the Knot camp. He definitely sounded like Delhi was right to expect madness before anything else at Outrage, “Shashank Akella fractured his collar bone at our last gig in Bangalore. So Delhi, let’s see if you can survive this night’

    Escher's Knot

    Escher’s Knot

    If you’ve been listening closely, both bands are promising to feature new music at Outrage festival. “We’re playing most of the new songs from our upcoming album!” says Abhijit going on to mention that Delhi is the premier venue for their debut release. We asked Sidharth whether Zygnema plans to feature new material, maybe a cover? “We are freaking BORED of playing the same shit  . Hopefully we get to play some new material”.

    Zygnema Live at Inferno Metal Festival,Oslo

    Zygnema Live at Inferno Metal Festival,Oslo

     

    Well, that sounds fun because Zygnema fans have been waiting a while for some new music from the band. If this isn’t reason enough for you to get your rear to Outrage festival and show it the same support and love as you would to a infant marijuana plant, then go ahead and don’t think twice before you download that Ke$ha discography.

    Loudezt shout out Anway Pramanik

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  • Demonic Resurrection Announced For Sonisphere Festival UK

    Demonic Resurrection Announced For Sonisphere Festival UK

    Jun 21 • Indian News, Tours • 6255 Views

    Indian metal veterans Demonic Resurrection have just been announced as the most recent addition to the line-up at Sonisphere Festival UK along with CentimentThe StrutsScholars and Boy Jumps Ship.

    Demonic Resurrection Announced For Sonisphere Festival UK

    Demonic Resurrection Announced For Sonisphere Festival UK

    Demonic Resurrection will be playing on the 4th of July on the Satellite stage. The band was scheduled to play at Sonisphere in 2011 but were unable to make the trip after being denied UK visas by the British High Commission.
    Commented frontman Demonstealer “It’s very hard to express in words how overjoyed we are to be playing at Sonisphere. After our visas being rejected in 2011 we were unable to play the festival and we were gutted so it’s almost like everything coming full circle. This couldn’t have come at a better time for us, our new album ‘The Demon King’ releases on 13th July and we’re stoked to debut material from it at the festival. The line-up for Sonisphere this year is outstanding and it’s definitely a honour to watch Iron Maiden, Metallica, Slayer, Dream Theatre and Anthrax and the countless other bands. This is going to be legend – wait for it- dary.”
    Demonic Resurrection -The Demon King -TOUR-POSTER

    Demonic Resurrection -The Demon King -TOUR-POSTER

    Demonic Resurrection Tour Dates:
    22.06.14 – Rolling Stone Metal Awards, Mumbai
    27.06.14 – Les Fest, Scotland
    04.07.14 – Sonisphere, Knebworth Park
    07.07.14 – Cavern, Exeter
    08.07.14 – Tiki Bar, Plymouth
    10.07.14 – The Owl Sanctuary, Norwich
    11.07.14 – Black Heart, London
    12.07.14 – Eradication Festival, Cardiff
    13.07.14 – Green Door Store, Brighton
    02.08.14 – Wacken Open Air, Germany
    ‘The Demon King’ releases on 14th July via Candlelight Records (Worldwide) and via Universal Music in India.

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  • rolling-stone-metal-awards-2014-jury-includes-chris-adler-alex-skolnick

    Rolling Stone Metal Awards 2014 | Jury Includes Chris Adler (Lamb Of God), Alex Skolnick (Testament)

    Jun 21 • Indian News • 3455 Views

    Metalheads rejoice. Rolling Stone magazine is all set to bring you the fifth edition of India’s biggest annual show for headbangers.  Zippo presents Rolling Stone Metal Awards 2014 will be held at Mumbai’s Blue Frog on the evening of 22nd of June, 2014

    Every year, the country’s biggest music magazine Rolling Stone India recognizes the best talent on the metal scene with these awards.  The growing number of fan response both online as well as at the show reflects the rising popularity of metal  as a music genre as well as the fast evolving quality of local music and musicians.

    Past winners in the 13 categories in which awards are given out include the who’s who of Indian metal including Demonic Resurrection, Bhayanak Maut, Scribe, Zygnema, Noiseware, Undying Inc, Eccentric Pendulum and Skyharbor.

    The Jury for this year is formed by some of the best metak musicans across the globe, Chris Adler from Lamb Of God and Alex Skolnick from Testament have been announced as the current jury for the awards.

    UPDATE :
    Clean Sweep for The Down Troddence by winning EIGHT AWARDS at Rolling Stone Metal Awards 2014.
    CLICK HERE OR ON THE IMAGE TO FIND OUT ALL THE WINNERS!

    rolling-stone-metal-awards-2014-jury-includes-chris-adler-alex-skolnick

    Rolling Stone Metal Awards 2014

    Chris Adler :

    American metal band Lamb of God’s [LoG] India connection began in 2010, when they made their debut in the country at the Summer Storm Festival in Bengaluru. Almost two years later, they were back for Nokia Alive in 2012. Supporting them were Delhi prog metal band Skyharbor, a band which had impressed LoG’s drummer Chris Adler enough to express an interest to perform with them.

    Skyharbor have since gone on to win at two consecutive editions of the Rolling Stone Metal Awards, so Rolling Stone India figured Adler needed a new dose of Indian metal. Adler, who has also played drums for thrash metal veterans Testament and Canadian experimental band Protest the Hero, is part of the jury for the fifth edition of RSMA and talks about the nominees this year and hopefully returning to India as part of their next tour.

     

     

    Alex Skolnick :

    Skolnick, who is also a jazz guitarist, wrote a Bollywood-inspired song [“Bollywood Jam”] for his 2011 album Veritas with the Alex Skolnick Trio. Last month, the guitarist started jamming with Indian fusion guitarist Prasanna Ramaswamy for a project called Raga Metal Conversations [more on that later]. Skolnick’s interest for metal and India led Rolling Stone India to ask him to be part of the jury for the fifth edition of the Zippo Presents Rolling Stone Metal Awards

     

     

    The categories of awards given out this year include Best Band, Best Song, Best Album, Best Guitarist, Best Bassist, Best Vocalist, Best Keyboardist, Best Emerging Artist and Best Album artwork.  The winners are chosen by a combination of online polling and jury poll.

    The growing international recognition of  Zippo presents Rolling Stone Metal Awards 2014   as well as India’s metal music scene can be seen in the gravitas of the jury this year which includes  Lamb of God drummer Chris Adler; Alex Skolnick, the  lead guitarist  for  the Bay Area thrash metal band Testament; Mattias Eklundh, the guitarist and vocalist for the Swedish band Freak Kitchen and Tommy Giles Rogers the lead vocalist, keyboardist, and founding member of the American progressive metal band Between the Buried and Me.

    Public voting in the popular choice categories for Best Band, Best Album and Best Song is open till June 20th on the Rolling Stone India Facebook page (www.facebook.com/rollingstoneindia).

    Like every year, the 2014 awards show will be anchored by Indian metal scene’s enfant terrible Rohit ‘P-Man’ Pereira, the bassist of death metal act Exhumation.  And keeping with tradition of  presenting the loudest gig of the year in the city,  the show will be headlined by Mumbai extreme metal band Demonic Resurrection (DR) , who also feature on the cover of the  Rolling Stone India’s  June metal special  issue. The band, of course, is all set for a UK tour, followed by a performance at  Europe’s biggest  metal festival Wacken Open Air.

    After DR’s performance, Zippo presents Rolling Stone Metal Awards 2014  will bring to stage Third Sovereign from Aizawl  who will perform in Mumbai after five years,  and two award nominees: Mumbai’s hardcore/prog metal band Reverrse Polarity, performing for the first time since their album release in  2013,  and Bengaluru-based folk metal band The Down Troddence who will be making their Mumbai debut.

    The winner’s gold plated trophies this year are made in the likeness of the iconic Gibson Flying V Guitar, courtesy of guitar sponsor Gibson Brands, Inc.  Other prizes for the evening include Zippo lighters and Casio watches. Says David Warfel, Global Marketing Director, Zippo Manufacturing Company, which is the main sponsor for the evening, “Zippo enjoys a rich heritage in music and we are always looking for new ways to continue this exciting journey. Zippo’s association with Rolling Stone Metal Awards serves as an ideal platform for the brand’s commitment towards promoting upcoming music genres and talent.”

    Adds Radhakrishnan Nair, Editor-in-chief of Rolling Stone India, “Zippo presents Rolling Stone Metal Awards 2014 is our way of supporting and recognizing the growing popularity of metal music in India. We are thankful that a renowned brand like Zippo has come on board as the main sponsor for this year’s awards. We also wish to thank the contribution of our other sponsors including Gibson and Casio.”

     

    Voting links:

    Best Band
    http://bit.ly/RSMABestBand
    Best Album
    http://bit.ly/RSMABestAlbum
    Best Song
    http://bit.ly/RSMABestSong

     

    Rolling Stone Metal Awards 2014

    Venue    :     Blue Frog, Mumbai
    Date        :     22nd June 2014
    Time      :     8:00 PM onwards
    Entry    :     Rs 200

     

    rolling-stone-metal-awards-2014-gig-schedule

    Rolling Stone Metal Awards 2014 – Gig Schedule

    For more information:
    Call Ashwin Sharma on 9987666108 or log onto RollingStoneindia.com/metalawards

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